Have you ever watched a film only to find yourself saying, “Wait up, that’s not realistic!” I’m pretty sure we’ve all been there.

From having to endure watching characters pull grenade safety pins with their teeth like it’s nothing to cringing as one of the supporting characters says, “Ah, it’s just a flesh wound.” But, of course, we’ll spare you the same agony, so here are some of the most accurate and realistic war movies if you’re looking for some.

Apocalypse Now, 1979

Francis Ford Coppola’s Vietnam War-era movie focuses on a soldier, Captain Willard (Martin Sheen), who was tasked to terminate a “once-promising officer who has reportedly gone completely mad,” Colonel Kurtz. He was accompanied by a group of individuals with unique characteristics— a freelance photographer, an Air Cavalry officer who loves to surf, and some “street-smart” kids.

For good reasons, “Apocalypse Now” is one of the most well-known war movies. The story starts pretty typically, but as it progresses, it gets darker and darker, all while depicting real life on the river, showing raw and various human emotions. Criticisms started in the two-thirds part of the movie, but it was pretty spot on.

 

Platoon, 1986

“Platoon” is another movie set during the Vietnam War that is often regarded as the “best war movie” with accurate depictions of the war. Major credit to its director, Oliver Stone, a Vietnam War veteran. According to DoD, Stone arrived in South Vietnam on September 16, 1967, as part of the 2nd Platoon, Bravo Company, 3rd Battalion, 25th Infantry. He was wounded twice by a bullet or shrapnel that left marks on his neck, legs, and buttocks. He was also awarded the Bronze Star Medal for valor that he wrote about in his book “Chasing the Light: Writing, Directing, and Surviving Platoon, Midnight Express, Scarface, Salvador, and the Movie Game.”

Leveraging his personal experience and combining it with the accounts of other Marines, he came up with the most powerful, accurate, and unforgettable depiction of war. As film critic James Berardinelli noted: