Amid the 75 houses inside the oak-lined, no-outlet neighborhood, a single home stands unoccupied, a celebrity eyesore.
Inside the house, the baseboards have been torn from the walls, with wires visibly protruding. The back deck is deteriorating, and the foundation may be pitched slightly toward the wildlife preserve adjacent to the back yard.
Around here, in a section of town called Fieldstone, everyone knows the peach-colored colonial with a sagging facade as the spy house, where a flock of Federal Bureau of Investigation agents arrested the Murphy family six years ago, on June 27, 2010.
Richard and Cynthia Murphy were really Vladimir and Lidiya Guryev, Russian spies, part of a Northeast corridor cell that was soon sent back to Moscow by the United States government in an exchange. The Guryevs and their two talented, popular daughters, Katie and Lisa, became an inspiration for the FX show “The Americans.”
They are long gone, but the unoccupied house remains a frustrating story of its own and an unwanted symbol of betrayal for the community.
Read More- New York Times
Image courtesy of New York Times
Amid the 75 houses inside the oak-lined, no-outlet neighborhood, a single home stands unoccupied, a celebrity eyesore.
Inside the house, the baseboards have been torn from the walls, with wires visibly protruding. The back deck is deteriorating, and the foundation may be pitched slightly toward the wildlife preserve adjacent to the back yard.
Around here, in a section of town called Fieldstone, everyone knows the peach-colored colonial with a sagging facade as the spy house, where a flock of Federal Bureau of Investigation agents arrested the Murphy family six years ago, on June 27, 2010.
Richard and Cynthia Murphy were really Vladimir and Lidiya Guryev, Russian spies, part of a Northeast corridor cell that was soon sent back to Moscow by the United States government in an exchange. The Guryevs and their two talented, popular daughters, Katie and Lisa, became an inspiration for the FX show “The Americans.”
They are long gone, but the unoccupied house remains a frustrating story of its own and an unwanted symbol of betrayal for the community.
Read More- New York Times
Image courtesy of New York Times
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