Packing the latest in British Army gear, deployed to all corners of the earth, they are a living legend—the patch with the crossed khukris, the traditional Nepalese machetes, immediately identifies the soldier as a Gurkha. The Gurkhas have served in the British Army since 1815. In December 2014, the ultimate portrait of these fierce warriors was published. The book, coinciding with the 200-year anniversary of Gurkha service for the British Crown was, somewhat surprisingly, written by a female Austrian photographer. Her reflection is visible in the Gurkha’s sunglasses, pictured below.

We met Alex Schlacher for a chat and asked her about the story behind her monumental project.

The Making of "Arc of the Gurkha"

SOFREP: You’re a photographer, an Austrian, and a woman. How did you end up doing a project on the Gurkhas?

Alex: In 2009, I started a photo project on U.S. police, ran with various departments all over the South and Midwest, and stayed in contact with some of the individual officers afterwards. One of them, now police chief of a Georgia police department, was a U.S. Marine Colonel (reserves) and got deployed to Afghanistan in order to train the local police. I was curious, asked to come along, and ended up embedded with his unit in Helmand Province in 2011.

While I was there, I met a few soldiers and officers from the Royal Gurkha Rifles (one of two Gurkha infantry battalions in the British Army) and they spontaneously invited me to ride along with them. The Gurkhas literally took me in like a lost child and I was immediately fascinated by their dignity, warmth, as well as their stories from deployments and their background in Nepal. Very quickly, I decided to do a project on them.

The Making of "Arc of the Gurkha"

SOFREP: It’s obvious that this subject is much more than just a job to you. How long did you accompany the Gurkhas, and where did you go with them?

Alex: After Afghanistan, I visited all the Gurkha regiments in the brigade and went on exercises with them. I also documented daily garrison life. I photographed the regional and final selections (in Dharan, east Nepal, and Pokhara, west Nepal, respectively) and visited retired Gurkhas in Kathmandu and Kaski. I portrayed medically discharged veterans, spent quite a bit of time in basic training, and went to the Brunei jungle twice—once as part of a tactical exercise in the deep jungle lasting several weeks.

I went on large exercises in Australia and Kenya, and on various smaller ones in England, Scotland, and Wales. For example, I followed the Queen’s Gurkha Engineers on a week-long nighttime exercise in Salisbury, England, in torrential rain, knee-deep in mud. In total, “Arc of the Gurkha” took almost exactly, to the day, three years to make, from meeting the Gurkhas for the first time to having the first copy of the book on my desk.

The Making of "Arc of the Gurkha"

SOFREP: It’s a man’s world. What was it like as a woman among Gurkhas?

Alex: That wasn’t a problem at all. First of all, my dad was in the army, so I was practically raised in garrisons. Military environments are my comfort zone. Also, despite the Nepalese still adhering to a pretty traditional culture, one in which women are designated very old-fashioned roles, when someone comes along who doesn’t quite fit into their worldview, they don’t react with hostility, but instead with curiosity and a lot of questions.

The Gurkhas accept other cultures and respect them. They don’t judge. Instead there’s a lot of good-natured teasing and banter going on. On deployment or on exercise with a Gurkha (or any other) unit, you get slightly skeptical looks for a little while, but as soon as they see that you pitch in, don’t whine, and carry your own stuff, you’re treated as one of them in no time. I was happily integrated into the Gurkha companies and experienced huge support for my project among the guys, which was humbling.

SOFREP: What fascinated you the most? And was there anything that repelled you?

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Alex: What fascinated me the most about the Gurkhas was this incredible contrast between their steely toughness, endurance, and uncanny warrior’s instinct, and their gentleness, generosity, and warmth. Nothing repelled me about the Gurkhas at all, but Afghanistan was an experience like no other. There were a few things I saw and heard there that haunted me for a while.

The Making of "Arc of the Gurkha"

SOFREP: A final word on your relationship to the Gurkhas today?

Alex: They will always be in my heart. I am well acquainted with a lot of Gurkhas and a small handful have become close friends. I lived with the families of Gurkha friends in Nepal, have met wives, children, and parents of soldiers. I’m still in contact with many of them, mostly via Facebook. The Baby-Gurkhas from 2013 and 2014 have a special place in my heart as well—I accompanied them all through the entire recruitment process in Nepal to basic training in the UK. Some of them send me pictures of their progress and their new regiments, and tell me about the exams they’ve aced. I always feel a bit like a proud mom when that happens.

The Making of "Arc of the Gurkha"

About the author: ALEX SCHLACHER (second from the left) was born and raised in Austria. She started taking pictures at age four, but didn’t choose it as a profession until 20 years after graduating from high school, during which time she traveled the world looking for a purpose. She came upon military and police photography by accident, but stayed with it and has since taken pictures of a number of U.S. police departments, U.S. Marines, the Afghan National Police, the Afghan National Army, and the Austrian counter-terrorist unit COBRA as well as, of course, the Gurkhas.

The Making of "Arc of the Gurkha"

“Arc of the Gurkha” by Alex Schlacher, 288 pages, published by Elliott & Thompson RRP € 35,29. The book is available at bookstores and online booksellers now. We have picked a few of the amazing pictures for our gallery.

Interview originally conducted by in German. Special thanks to Alex Schlacher and Spartanat for the translation work.